{"id":3072,"date":"2021-04-08T17:32:36","date_gmt":"2021-04-08T15:32:36","guid":{"rendered":"https:\/\/cinefest.de\/festival\/cinefest-2021\/"},"modified":"2025-08-27T14:51:54","modified_gmt":"2025-08-27T12:51:54","slug":"cinefest-2024","status":"publish","type":"page","link":"https:\/\/cinefest.de\/en\/festival\/cinefest-2024\/","title":{"rendered":"cinefest 2024"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"3072\" class=\"elementor elementor-3072\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c9ae9f3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c9ae9f3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1242c2b\" data-id=\"1242c2b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a89f395 elementor-widget elementor-widget-spacer\" data-id=\"a89f395\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d47dc5b elementor-widget elementor-widget-heading\" data-id=\"d47dc5b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">XXI. cinefest - International Festival of German Film Heritage<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-df9e01d elementor-widget elementor-widget-heading\" data-id=\"df9e01d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">More than Tell and Heidi<br>German-Swiss Film Relations<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6f2c4ed elementor-widget elementor-widget-heading\" data-id=\"6f2c4ed\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">15 - 24 November 2024<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-23b4107 elementor-widget elementor-widget-text-editor\" data-id=\"23b4107\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>at cinema Metropolis (Kleine Theaterstr. 10, 20354 Hamburg)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ee021f0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ee021f0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4b771b7\" data-id=\"4b771b7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-384defa elementor-widget elementor-widget-image\" data-id=\"384defa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"524\" src=\"https:\/\/cinefest.de\/wp-content\/uploads\/_pda\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-768x524.jpg\" class=\"attachment-medium_large size-medium_large wp-image-10196\" alt=\"\" srcset=\"https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-768x524.jpg 768w, https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-300x205.jpg 300w, https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-1024x699.jpg 1024w, https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-150x102.jpg 150w, https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-474x324.jpg 474w, https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-1536x1048.jpg 1536w, https:\/\/cinefest.de\/wp-content\/uploads\/2024\/01\/Zuercher-Verlobung_f010222_pic_02_DFF-2048x1397.jpg 2048w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Die Z\u00fcrcher Verlobung (1956\/57, Helmut K\u00e4utner): Paul Hubschmid, Liselotte Pulver: <br> Source: DFF - Deutsches Filminstitut &amp; Filmmuseum<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dff1916 elementor-widget elementor-widget-text-editor\" data-id=\"dff1916\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p style=\"text-align: left;\"><em>cinefest<\/em> 2024 will explore the various relationships between (German-)Swiss and German film.<br \/>Over the decades, numerous literary classics e have repeatedly provided templates for adaptations in various countries, e.g. Gottfried Keller&#8217;s \u00bbKleider machen Leute\u00ab (1921, Hans Steinhoff; 1941, Helmut K\u00e4utner; 1963, Paul Verhoeven) or \u00bbRomeo und Julia auf dem Dorfe\u00ab (1941, Hans Trommer; 1967, Willi Schmidt; 1983, Siegfried K\u00fchn).<br \/>Early on, there were cross-border co-productions in silent films, such as DCERY EVINY \/ EVAS T\u00d6CHTER \/ ANNY &#8230; FILLE D&#8217;\u00c8VE (1927\/28, CS\/GER\/CH) with the popular Czech duo Karel Lama\u010d and Anny Ondra. <br \/>The mountain film genre , which was particularly popular in the 1920s\/30s, offered itself \u2013 if only for geographical reasons \u2013 for collaboration: DER KAMPF UMS MATTERHORN, 1928, Mario Bonnard, Nunzio Malasomma, KOL: Arnold Fanck; DIE HERRGOTTSGRENADIERE \/ DER GOLDENE GLETSCHER, 1932, Anton Kutter.<br \/>In the early 1930s, the introduction of the sound film and the associated increased cost of filmmaking forced producers to initiate international co-productions, opening up a larger sales area by combining various German-speaking markets. When the production of the Brecht film KUHLE WAMPE ran into financial problems in Germany in 1931\/32, Polish-born Lazar Wechsler, who had founded the Praesens-Film in Zurich, financially ensured its completion. At the same time \u2013 and at the other end of the political spectrum \u2013 he produced TANNENBERG. EIN DOKUMENTARISCHER FILM \u00dcBER DIE SCHLACHT VON TANNENBERG, which was however not distributed in Switzerland.  Wechsler&#8217;s company Praesens-Film is celebrating its 100th anniversary in 2024 and will be represented in the programme with many films that are an important part of Swiss film history.<br \/>From 1931 to 1935, the Swiss Scotoni family-controlled Terra Film in Berlin, was one of the most important German production companies. In this context &#8211; under the artistic direction of Nazi writer Hanns Johst &#8211; one of the numerous film adaptations of Tell was made in this context, with Conrad Veidt as Gessler and Emmy Sonnemann (later: G\u00f6ring) as Hedwig Tell.<br \/>During the production of these films, (Jewish) emigrants were prohibited from taking up gainful employment. However, numerous filmmakers came from Germany and continued their careers in Switzerland at the theater (Schauspielhaus Z\u00fcrich) and thereby were also able to be successful in film, including directors such as Leopold Lindtberg (F\u00dcSILIER WIPF, 1938; MATTO REGIERT, 1946\/47) or actors such as Heinrich Gretler and Leonard Steckel.<br \/>In view of political developments on the other side of the border, some filmmakers in Switzerland tried to create a homeland positioning against Nazi Germany by emphasizing, for example, stories of vigilant neutrality in the First World War or the history of the Swiss Confederation: GILBERTE DE COURGENAY. EIN FILM AUS DER GRENZBESETZUNG 1914-1918 (1941, Franz Schnyder; KOL: Hermann Haller), LANDAMMANN STAUFFACHER (1941, Leopold Lindtberg). <br \/>It was not until after the war that a younger generation of filmmakers dealt with the real demarcations against refugees with the motto \u00bbThe boat is full\u00ab \u2013, anti-Semitic and right-wing extremist tendencies in Swiss political circles, as well as the attempts to oppose them were explored. Examples of this are feature films such as KONFRONTATION \u2013 DAS ATTENTAT VON DAVOS (1974, Rolf Lyssy), DAS BOOT IST VOLL (1980\/81, Markus Imhoof) and GLUT (1983, Thomas Koerfer) as well as in documentaries such as DIE ERSCHIESSUNG DES LANDESVERR\u00c4TERS ERNST S. (1975\/76, Dindo), ES IST KALT IN BRANDENBURG \u2013 HITLER T\u00d6TEN (1978-80, Villi Hermann, Niklaus Meienberg, Hans St\u00fcrm), and later GR\u00dcNINGERS FALL (1997, Dindo).<br \/>After the war, well-known Swiss artists such as Bernhard Wicki, Maximilian Schell, Paul Hubschmid and Liselotte Pulver \u2013 often in German-Swiss co-productions \u2013 were mainly active in Germany, for example in the Hamburg production DIE Z\u00dcRCHER VERLOBUNG (1956\/57, Helmut K\u00e4utner).<br \/>Writers such as Friedrich D\u00fcrrenmatt, Lukas Hartmann and Max Frisch provide templates for film adaptations, many of which are international: ES GESCHAH AM HELLICHTEN TAG \/ EL CEBO (1958, Ladislao Vajda), PESTALOZZIS BERG (1988\/89, Peter von Gunten), HOMO FABER \/ THE VOYAGER (1990, Volker Schl\u00f6ndorff), JUSTIZ (1993, Hans W. Geissend\u00f6rfer).<br \/>In the 1960s\/70s, a &#8220;new wave&#8221; also developed in Western Switzerland parallel to the Young German Cinema and often with a mix of personnel and \u2013 through the involvement of German and Swiss TV stations, for example with DER TOD DES FLOHZIRKUSDIREKTORS (1972\/73, Thomas Koerfer), SCHATTEN DER ENGEL (1975, Daniel Schmid), DIE SCHWEIZERMACHER (1978, Rolf Lyssy) with the actors Emil Steinberger and Walo L\u00fc\u00f6nd, who were also popular in Germany.<br \/>There were even some connections with the GDR: in 1978 Egon G\u00fcnther filmed URSULA; In 1983, Siegfried K\u00fchn filmed ROMEO UND JULIA AUF DEM DORFE, both of which were provided by the \u00bbbourgeois realist\u00ab Gottfried Keller.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a329745 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a329745\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-d1786de\" data-id=\"d1786de\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1a85583 elementor-vertical-align-top elementor-widget elementor-widget-image-box\" data-id=\"1a85583\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><h3 class=\"elementor-image-box-title\"><a href=\"https:\/\/cinefest.de\/en\/festival\/shop-cinefest-2020\/\">Catalog <i>cinefest<\/i> 2024<\/a><\/h3><p class=\"elementor-image-box-description\">At <i>cinefest<\/i>, an extensive catalogue with reviews and materials on the films and themes of the festival will be published again.<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-94d0d69\" data-id=\"94d0d69\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-024183b elementor-widget elementor-widget-text-editor\" data-id=\"024183b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Integral part of the festival is the <strong><a href=\"https:\/\/cinefest.de\/en\/program\/conference\/\">37th International Film History Conference<\/a>.<\/strong>It will take place November 21-23 in the University Guesthouse of Hamburg.<\/p>\n<p><a href=\"https:\/\/cinefest.de\/en\/program\/forums\/\"><strong>Discussion<\/strong><\/a> forums on current and archival topics accompany <em>cinefest<\/em>. <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>XXI. cinefest &#8211; International Festival of German Film Heritage More than Tell and HeidiGerman-Swiss Film Relations 15 &#8211; 24 November 2024 at cinema Metropolis (Kleine Theaterstr. 10, 20354 Hamburg) Die Z\u00fcrcher Verlobung (1956\/57, Helmut K\u00e4utner): Paul Hubschmid, Liselotte Pulver: Source: DFF &#8211; Deutsches Filminstitut &amp; Filmmuseum cinefest 2024 will explore the various relationships between (German-)Swiss&hellip;&nbsp;<a href=\"https:\/\/cinefest.de\/en\/festival\/cinefest-2024\/\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">cinefest 2024<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":887,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-pagebuilder-full-width.php","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","neve_meta_reading_time":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"folder":[307,154],"class_list":["post-3072","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>cinefest 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