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CineFest 2009
6th International Festival of German Film Heritage
Hamburg: 14 - 22 November 2009

organized by CineGraph and Bundesarchiv-Filmarchiv


Shadows of War
Innovation and Tradition in European Cinema 1940-1950


to the archive


The 1940s : a decade of extreme conditions and social unrest – brutal economic conditions, a devastated infrastructure and tight political control. The general topic stays – but with new perspectives.

In 2008, under the title All in pieces !…?, cinefest and the International Film History Conference investigated how cinema in the 1940s was used for propaganda purposes and investigated films for and about young people. In 2009 there will be more of a focus on filmmakers’ reaction to war and the aftermath. What artistic solutions did film directors in different European countries find to handle the chaos and the human and cultural catastrophes around them?

The central focus will again be the repercussions of the general economical and political situation on the aesthetic and artistic production. One facet of this will be a look at the fractures or continuities in filmmakers’ careers.

A selection of genre films will cover thrillers and comedies as well as musicals in the cinemas of different political systems of the 1940s. How did the standards and style of diverse genres prove resistant to change or find new ways influenced by the times? How did the political situation put a stamp on artistic decisions?

cinefest 2009 will look into the indestructible career of actress and dancer Marika Rökk (Die Frau meiner Träume, Kind der Donau), into Nazi and anti-Nazi thrillers (Der Täter ist unter uns, Cloak and Dagger), into detective stories from the early postwar years (Razzia, Blockierte Signale) and test how the atmosphere of the period is inscribed in comedies such as Unser Fräulein Doktor, Kein Platz für Liebe and Arche Nora.

Another area of investigation will be how German and European filmmakers dealt with the traumas of the immediate past and the burning problems of the years directly after the war. How did they treat the topic of anti-Semitism right after the discovery of the horrible results? Morituri, The Illegals, Lang ist der Weg tell it from the German and/or Jewish perspective, Ostatni etap and Ulica Graniczna from the Polish side. Other directors escape into historical periods, e.g. G. W. Pabst with Der Prozeß or Erich Engel with Affaire Blum.

Other models for film treatment of the contemporary situation included episodic narratives (In jenen Tagen), the revival of the stylistic traditions of Weimar realist films or Soviet cinema (Freies Land), satirical revues (Berliner Ballade) or filmmakers’ self-reflective ventures such as Film ohne Titel.

The attempts of French metteurs-en-scène to come to terms with the German Occupation and the activities of the Résistance resulted in stylistically remarkable films such as La bataille du rail and Le silence de la mer.

Examples of Swiss cinematography of the decade show how the country’s delicate position as a direct neighbour to the Nazi-Reich was mirrored in patriotic productions poised between appeasement and internationalistic posturing.

To put the German cinema of the 1940s into an international perspective, cinefest and the International Film History Conference will investigate the stylistic influence of Hollywood on Nazi cinema as well as international trends such as Neorealism or Film noir. Another interesting aspect will be the delayed reception of foreign films in post-war Germany.

The comparison of German and British films will reveal interesting findings on the degree to which filmmakers’ styles and subjects were influenced by the political systems and traditions of both nations. Films by the directing team of Michael Powell & Emeric Pressburger (49th Parallel, The Life and Death of Colonel Blimp) or Carol Reed (Night Train to Munich, The Way Ahead, The Third Man) will be contrasted with the gloomy films of German director Peter Pewas (Der verzauberte Tag, Straßenbekanntschaft) and others.



CineGraph - Hamburgisches Centrum für Filmforschung e.V.
Schillerstr. 43, 22767 Hamburg
Tel: +49-(0)40-352194 / Fax: +49-(0)40-345864
email: info(at)cinefest.de

Parts of the film programme will also be shown in Berlin, Prague, Vienna and Zurich


in Cooperation with
Narodní filmový archiv, Prague
Kinemathek Hamburg - Kommunales Kino Metropolis
Deutsches Historisches Museum / Zeughauskino, Berlin
Filmarchiv Austria, Vienna
Cinémathèque Suisse Lausanne / Filmpodium Zürich
and
Forschungsstelle für Zeitgeschichte in Hamburg

with friendly support of
absolutMedien, Berlin
Arte, Straßburg
British Film Institute, London
Cinecentrum, Hamburg
Danske Filminsitut, Copenhagen

DEFA-Stiftung, Berlin
Deutsch-Tschechischer Zukunftsfonds, Prag
Deutsche Kinemathek - Museum für Film und Fernsehen, Berlin
Deutsche Wochenschau GmbH, Hamburg
Deutsches Filminstitut – DIF, Frankfurt
Filmförderung Hamburg Schleswig-Holstein GmbH
Friedrich-Wilhelm-Murnau-Stiftung Wiesbaden
Imperial War Museum, London
Institut français de Hambourg
Jugendinformationszentrum - JIZ, Hamburg
Media Desk Deutschland, Hamburg
Nordevent, Hamburg
Novum Hotels, Hamburg
Skoda Auto Deutschland GmbH
SK LimousineServices, Hamburg
TaurusMedia Licence Service GmbH, Unterföhring
Tchibo Coffee Service, Hamburg
Transit Film GmbH, München
Universität Hamburg – Institut für Neuere deutsche Literatur und Medienkultur


Media partner: FilmDienst


CineGraph – Hamburgisches Centrum für Filmforschung e.V. is funded by the Hamburg department of culture (Behörde für Kultur, Sport und Medien der Freien und Hansestadt Hamburg)


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CineFest 2008
5th International Festival of German Film Heritage

All in Pieces!...?

Film : Production and Propagfanda in Europe 1940-1950

To the archive

Deutsche Version


Trailer cinefest 2016


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Chris Horak's Blog entry about the 29th International film History Conference

https://www.cinema.ucla.edu/blogs/archival-spaces/2016/12/09/broken-language


Flyer cinefest 2017

cinefest 2017 flyer (pdf)



Hans-Michael Bock received the Limina Prize for Cultural Achievement 2016

The Prize was awarded during FilmForum in Gorizia on 10 March 2016 pdf Limina Prize






 

 




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